Wednesday, June 11, 2008

Employee Development: Picasso or Cezanne? Fleetwood Mac or the Eagles? You Decide!

Last week I had the privilege of attending the annual ASTD (American Society of Training and Development) convention in San Diego. One of the highlights of the conference was a keynote address given by Malcolm Gladwell. He's the author of "Tipping Point" and "Blink" - two excellent books I highly recommend. In his address Gladwell explored the concept of 'genius' using several fascinating examples. Let me try to paraphrase:

The artist Picasso burst on to the modern art scene in his early twenties. He was almost immediately revered as a genius and people clamored to purchase his work. The paintings Picasso made in his twenties and thirties are worth about four times as much as those from his later years. Paul Cezanne, on the other hand, was a "starving artist" for years and years until, finally, in the later years of his life, people began to recognize his artistic genius. His paintings from the end of his career are worth about eight times as much as those from his younger years. Both Picasso and Cezanne are viewed as geniuses but they achieved that status in very different ways and on very different time-tables.

The rock group Fleetmac Mac is best known for their mid-70's, Stevie Nicks-Lindsay Buckingham sound heard on their grammy winning album "Rumors". But what many folks don't realize is that "Rumors" was their 16th album! The group had actually started in the mid sixties with drummer Mick Fleetwood, bassist John McVie (the "Mac" part of Fleetwood Mac) and guitarist Peter Green. Fleetwood Mac slogged it out for over a decade with a revolving door of musicians but it wasn't until right before the "Rumors" album that the group really took off. Fleetwood Mac might be viewed as the classic rock equivalent of Cezanne. The Eagles might be viewed as the Picassos of rock and roll. They formed in 72 or 73 and were shortly at the top of the charts with their first album. By 1975 they were one of the biggest bands in the business. Like Fleetwood Mac, the Eagles are considered musical geniuses from that time period. Again, the Fleetwood Mac/Eagles scenario illustrates two different types of genius. One type, like Picasso, sees success quickly. The other type, like Cezanne, takes longer to achieve that success but when it does the results are worth the wait.

Gladwell points out that in today's music business Fleetwood Mac wouldn't have a chance. No label would be willing to give a band a decade to develop their genius. He also observes that, unfortunately, that shortsightedness often spills over to the business world as well. I agree.

Do we sometimes overlook or even lose someone who has tremendous long-term potential because they aren't a 'Picasso' right out of the gate? Perhaps what organizations need are leaders who approach talent management with the eyes of a long-term investor rather than those of a "day trader". While companies will always appreciate the 'Picassos' on their team, perhaps they should learn to appreciate the 'Cezannes' as well. After all, 50 million Fleetwood Mac fans can't be wrong....

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